William Gillette


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Gillette as Sherlock Holmes.

William Hooker Gillette (July 24, 1853 - April 29, 1937) was an American actor, playwright and stage-manager.

Gillette was a major playwright and actor in the United States in the late nineteenth and early twentieth centuries. While he is best known for playing Sherlock Holmes, his major contributions to the theater were as a dramatist in realistic stage settings and special sound and lighting effects, and as an actor putting forth what he called the "Illusion of the First Time." While he was not the first actor to portray Holmes, he became best known for that role until he last played it on stage in 1932.[1] Through Gillette's portrayals of Holmes, the use of the deerstalker cap (first used in some Strand illustrations by Sidney Paget) and curved pipe, became synonymous with the character.[1] Gillette was seen as the definitive Holmes of his day, appearing on stage as the character for over thirty years, starring in a silent motion picture based on his play, and voicing the character twice on radio.[2]

Born in the era of melodrama, with its grand gestures and sonorous declamations, he created in his plays characters who talked and acted the way people talk and act in real life. Held by the Enemy, his first Civil War drama, was a major step toward modern theater in that it abandoned many of the crude devices of 19th century melodrama and introduced realism into the sets, costumes, props and sound effects. In Sherlock Holmes, he introduced the fade-in at the beginning of each scene, and the fade-out at the end, instead of the slam-bang finishes audiences were accustomed to. Clarice in 1905 was significant because, for the first time, he sought to achieve dramatic action through character rather than through incident and situation.

Contents

Youth

The neighborhood where William Gillette was born, Nook Farm (in Hartford, Connecticut), was a literary and intellectual node, abiding Mark Twain and Harriet Beecher Stowe. His father was Francis Gillette, a former US Senator with reformist ideas, fighting for the abolition of slavery, public education, temperance, and women's suffrage, and constructing most of town's infrastructure. His mother was Elisabeth Daggett Hooker, a descendant of the Reverend Thomas Hooker, the puritan leader who founded the town of Hartford and either wrote or inspired the first written constitution in history to form a government. In the Gillette home, young Will grew up with his three brothers and a sister. One other sister, Mary, died as a small child. One of his brothers, Edward H. Gillette, became a newspaper editor and congressman.

His oldest brother, Frank Ashbell, went to California and died there in 1859 from consumption (tuberculosis). The next brother, Robert, joined the Union army and served in the Antietam campaign, was invalided home sick, recovered, and joined the Navy. Assigned to the U.S. Gettysburg, Robert took part in both assaults on Fort Fisher, but was tragically killed the morning after the surrender of the fort when the powder magazine exploded. When brother Edward went west to Iowa, and sister Elisabeth married George Henry Warner, both in 1863, William was left as an only child in the household.

As a student, Gillette specialized in oratory and engineering. But he had always wanted to be an actor and, at age 20, left Hartford to begin his apprenticeship. He briefly worked for a stock company in New Orleans and then returned to New England where, on Mark Twain's own recommendation, he debuted at the Globe Theater of Boston with Twain's stage-play The Guilded Age, in 1875. Afterward, Gillette was a stock actor for six years through Boston, New York and the Midwest.

During these years, Gillette irregularly attended a spate of institutions, although he never completed their programs: Trinity, Harvard, Yale (1875), Massachusetts Institute of Technology, NYC-College and Boston University. His family was not overly happy about his chosen profession, but (contrary to many sources) he was not disinherited. In fact, his father, Francis, who had held the strongest objections to the theater in general, offered the least resistance, and drove him to the train station, telling his son that he had driven two other sons to this same station and they had never returned; William was to make sure he was the exception. Francis supplied him with an allowance on which to subsist (his apprenticeship was without pay). And, when the old Senator's health went downhill late in 1878, William forsook the stage for more than a year to care for his father in his final illness.

Playwright, director and actor

Gillette in Secret Service.

In 1881, while performing at Cincinnati, Gillette was hired as playwright, director and actor, by Gustave and Daniel Frohman. Taken to New York with a salary of $50-week, the first play he wrote and produced was The Professor. It debuted in the Madison Square Theater, lasting 151 performances, with a posterior tour through many states (as far west as St. Louis, Missouri). That same year, he performed his consecrating piece Esmeralda, written together with Frances Hodgson Burnett.

Ignoring his critics, Gillette instead strove to fill all the theater's seats. He was committed to catching the spectator by sprightly effects and many improvements on sound systems, stage and illumination, for example the use of sudden blackouts for dramatization, fade-in/fade-out at scenes' beginning, etc. Often, he added large pantomime segments, that were also effective on the audience.

Usually leaning toward cold roles enduring extreme situations, Gillette was also regarded as the "aristocrat of the stage" and an innovator in interpretation. His acute realism was accented by his particular charisma, replacing much dialog with physical action also. This was something he denominated in The Illusion of the First Time in Acting, as mentioned to the American Academy of Arts and Letters (1913) and published in 1915.

In fact, historians have noted that he did "natural acting and not the melodramatic declaiming, proper of the 1800s." In other words, Gillette was an "artist based on his personality." It can be considered that all Gillette's traits had historical consequences, as since his time American theater began to reach out to the common people.

In 1882 Gillette married Helen Nichols of Detroit. They were blissfully happy. She died in 1888 from peritonitis, caused by a ruptured appendix. He was terribly grief-stricken for years and later was struck down with tuberculosis. He did not act again for six years, and he never remarried.

Career as Sherlock Holmes

Charles Frohman was a young Broadway producer, who had been successful with the exchanging of theater productions between the USA and the UK. After he produced some of Gillette's plays, the two formed a greater partnership. Their productions had great success, sweeping Gillette into London's society spot, which had been historically reluctant to accept American theatre. With Held by the Enemy in 1887, Gillette became the first American playwright to achieve true success on British stages with an authentic American play.

Secret Service

In 1897, Gillette performed his play Secret Service at the Adelphi Theater of London, with great success and was praised by the critics also. It also marked his first appearance on a British stage, which drew the attention of British audiences and critics.

Meanwhile, Doyle had finished his Sherlock Holmes saga with The Final Problem, published in 1893. After this publication Doyle found himself in need of further income, as he was planning to build a new house. He decided to take his character to stage. While two previous plays had been done by Charles Brookifield, the skit "Under the clock" in 1893, and John Webb, the play "Sherlock Holmes" in 1894, Doyle wrote a new 5-act play nevertheless, with Holmes and Moriarty in their freshmen years as detectives.

Doyle offered the production to Henry Irving and Beerhom Tree. But Irving turned it down and Tree demanded that Doyle readapt Holmes to his peculiar acting profile; Doyle turned down the deal, considering that this would debase the character.

Noting that the play needed a lot of work, literary agent A. P. Watt sent the script to Charles Frohman who traveled to London to meet Doyle. There, Frohman suggested the prospect of an adaptation by Gillette. Doyle endorsed this and Frohman obtained the staging-copyright (1897). Doyle insisted on only one thing: there was to be no love interest in "Sherlock Holmes." Frohman uttered a Victorian rendition of "Trust me!"

Gillette, who then read the entire collection for first time, liked the idea and started the piece's outlining in San Francisco, while still touring in Secret Service. Both artists became confident. On one occasion, Gillette telegraph Doyle: "May I marry Holmes?" . The unwavering Conan Doyle responded: "You can marry him, or kill him, or anything you want."

Coins famous phrase

Gillette's version consisted of five scenes in two acts. Epitomizing several of Doyle's stories, he mainly utilized the plots "A Scandal in Bohemia" and "The Final Problem". Also, it had elements from "Study in Scarlet", "The Sign of the Four", "The Boscombe Valley" and "The Greek Interpreter".

Different from the only-intellectual original, "a machine rather than a man," Gillette portrayed Holmes as brave and open to express his feelings. He wore the deerstalker cap on stage, which was originally featured in illustrations by Sidney Paget in the 1890s. Gillette also introduced to Holmes' costume the cloak and the curved briar, instead of the straight pipe pictured by illustrators, supposedly so that Gillette could pronounce his lines; actually, it's as difficult to pronounce lines whether the pipe is bent or straight, and it may have been that Gillette's face was easier to see from the seats when a bent briar in his mouth. Gillette also made use of a magnifying-glass, a violin and a syringe, which were all established as "props" to the Sherlock Holmes character.

Gillette formulated the complete phrase: "Oh, this is elementary, my dear fellow", which was later reused by Clive Brook, the first spoken-cinema Holmes, as: "Elementary, my dear Watson", Holmes' best known line.

Irene Adler, the woman of the series, was replaced by Alice Faulkner, young and beautiful lady who was planning to avenge her sister's murder but eventually falls in love with Holmes; and the pageboy, nameless in the Canon, was given the name Billy by Gillette, a name he carried over into the Basil Rathbone films.

The tentative title was: "Sherlock Holmes in an Unknown Episode, not Published in the Great Detective's Career, showing his connection with the Weird Ms. Faulkner case". But it was reduced later to: "Sherlock Holmes - A Drama in Four Acts."

After the Baldwin Hotel blaze in San Francisco, in November 1898, both original scripts, Conan Doyle's and Gillette's adaptation, were destroyed. Gillette wrote the piece again nevertheless, in a month and by memory and/or with notes he had kept.

Traveling in 1899 to present it to Conan Doyle, they met in Ulster's train station. Gillette showed up disguised as Sherlock Holmes. With the character's posing, he approached slowly and said: "You're the writer, no doubt about it." Conan Doyle approved the script and the two became life-long friends.

Holmes tour

Wiliam Gillette as Sherlock Holmes
Lithograph - 1900
Library of Congress Collection

After a copyright performance in England, and a pre-debut presentation streak starting on October 23, 1899, at the Star Theatre in Buffalo, Rochester, Syracuse in New York, and Scranton and Wilkes-Barre in Pennsylvania, Sherlock Holmes debuted in the Garrick Theater of New York in November 6, 1899, performing until June 16, 1900. It was an instant success. Gillette applied all his dazzling special effects over the massive audience.

But he faced sharp, even derisive, criticism from the newspapers, especially about Holmes falling in love. In Conan Doyle's original novels, Holmes was said to have an "aversion to women". As a matter of fact, throughout 34 years, the critics would rarely praise the production.

The company also toured nationally, along the western United States, from October 8, 1900, to March 30, 1901. This was bolstered by another company also, with Cuyler Hastings, through minor cities and Australia.

After a pre-debut week in Liverpool, the company debuted in London (September 9, 1901), at the Lyceum Theater, performing in Duke of York's Theater later.

It was another hit with its audience, despite not convincing the critics. The 12 weeks originally appointed were at full-hall. The production was extended until April 12, 1902 (256 presentations), including a gala for King Edward VII, in February 1. Then, it toured through the British Islands, with two ancillary groups: north (with H.A. Saintsbury) and south (with Julian Royce).

At the same time, the play was produced in foreign countries (such as Australia, Sweden, South Africa). In the USA, Gillette toured again from 1902 to 1903, until November 1903, when Gillette starred in The Admirable Crichton by James M. Barrie, requested personally by Barrie.

Worldwide fame

In his lifetime, Gillette presented Sherlock Holmes approximately 1,300 times (third in the historical stage-record), before American and English audiences. He was also shown widely, through appearances in many magazines, by way of photographs or illustrated caricatures, and was also well represented on the covers of theater programs.

Meanwhile, around the world, other productions took place, based on Gillette's Sherlock Holmes. These were either satiric, which were very successful, and/or undue; some lasted several seasons. Frohman's lawyers tried to curb the illegal phenomenon exhaustedly, traveling overseas, from court to court.

Even Gillette parodied Holmes once and, ironically, on this one occasion the critic praised the production. The Frightful Predicament of Sherlock Holmes (1905) was a one-act piece, a preamble to the main production, conceived as an homage to Joseph Jefferson Holland, an actor who had retired the year before due to illness. It was later retitled The Painful Predicament of Sherlock Holmes, and featured Holmes, with his typical pose but not uttering a word, listening calmly to an alienated woman named Gwendolyn Cobb, played by Ethel Barrymore. Gillette repeated the piece in London, while promoting his sentimental drama Clarice (September-October 1905). The juvenile Charles Chaplin portrayed Billy the pageboy there. But, when the production of Clarice became a failure, Gillette replaced Clarice with Sherlock Holmes. Chaplin repeated his role again.

Models for Holmes' portrait

The magazines Collier's Weekly (USA) and The Strand (UK) pushed Conan Doyle avidly, offering to continue the Sherlock Holmes series for a generous salary. The new chapters were first published in 1901, first with a prequel and later with Holmes revived definitively (1903). It continued for another quarter-century.

Gillette was the model for pictures by the artist Frederic Dorr Steele, which were featured on Collier's Weekly's covers then and reproduced by American media. Additionally, Steele contributed to Conan Doyle's book-covers, Gillette's short stories (Baker Street Irregulars) and, later, doing marketing when Gillette made his farewell performances.

As international copyright did not yet exist, Conan Doyle's series were widely printed throughout the USA, mostly with pictures of Gillette on stage. P. F. Collier & Son owned the copyrights of Steele's illustrations and issued drawings in many editions.

By means of such international exposure, Gillette became the image of Holmes for decades, created the very image of Holmes that remains to this day, and made the detective so real that many, both then and now, believe the detective really lived.

Gillette Castle

Gillette Castle.

In 1913, while sailing up the Connecticut River in his houseboat, Gillette spotted a hill, part of the Seven Sisters, over a ferry's pier in Hadlyme. He docked, disembarked and climbed up. He was so amazed by the view that he purchased 115 acres (0.47 km2) of land, the next month. He decided to build up a castle at this location based on the Norman fortress Robert the Devil. The design of the castle and its grounds features numerous innovative designs, and the entire castle was designed, to the smallest details, by Gillette himself.

During the five years of construction, Gillette lived aboard the Aunt Polly or at a home he had purchased in Greenport, Long Island. The material for the castle was carried up by an aerial-trolley designed by him. The castle's walls tapered from 5 feet (1.5 m) thick at the base to 3 feet (0.91 m) at the upper levels. The castle possessed 24 rooms and 47 doors, with hand-carved puzzle locks, which were also devised by Gillette. The main salon measured 30 by 50 feet (15 m) and was 19 feet (5.8 m) in height, featuring a complex mirrored system of surveillance of the castle's public rooms from his bedroom. He explained this as a means "to make great entrances in the opportune moment."

The mansion was finished in 1919, at a cost of 1 million US dollars. Gillette called it Seven Sisters. Its small train was his personal pride. The train's layout was 3 miles (4.8 km) long, and it travelled all around the property, crossing several bridges and going through one tunnel designed by Gillette. Gillette also enjoyed strolls on his property in company of his guests, who included the noted physicist Albert Einstein, former U.S. President Calvin Coolidge, and former Mayor of Tokyo Yukio Ozaki.

After Gillette died with no wife or children, his will stated

I would consider it more than unfortunate for me – should I find myself doomed, after death, to a continued consciousness of the behavior of mankind on this planet – to discover that the stone walls and towers and fireplaces of my home – founded at every point on the solid rock of Connecticut; – that my railway line with its bridges, trestles, tunnels through solid rock, and stone culverts and underpasses, all built in every particular for permanence (so far as there is such a thing); – that my locomotives and cars, constructed on the safest and most efficient mechanical principles; – that these, and many other things of a like nature, should reveal themselves to me as in the possession of some blithering saphead who had no conception of where he is or with what surrounded.

In 1943, Connecticut's government took the property, re-baptizing it Gillette's Castle and Gillette Castle State Park.

Located in 67 River Road, East Haddam, Connecticut, it was reopened in 2002. After a four years of restoration, costing 11 million dollars, it now includes a museum, park, and many theatrical celebrations. It receives 100,000 annual visitors, who can hike or picnic there.

The castle remains a distinctive feature of the view from the Connecticut River.

Last years and farewell tour

Gillette announced his retirement many times throughout his career, despite not actually accomplishing this until just after his death. The first announced retirement took place after the turn of the century, after he purchased the boat Aunt Polly which was 144 feet (44 m) in length and weighed 200 tons.

Naturally, Sherlock Holmes was Gillette's foremost production with 1,300 performances (in 1899-1901, 1905, 1906, 1910, 1915, 1923, and 1929-1932). While performing on other tours, he was always forced by popular demand to include at least one extra performance of Sherlock Holmes.

In 1929, at the age of 76, Gillette started the farewell tour of Sherlock Holmes, in Springfield, Massachusetts. Scheduled for two seasons, it was eventually extended into 1932. The Broadway run and tour in New England had Theatre Guild actress Peg Entwistle as Gillette's female lead. Entwistle was the young ingenue who committed suicide from the Hollywood Sign in 1932.

In the New Amsterdam Theater of New York, on November 25, 1929, a great ceremony took place. Gillette received a signature book, autographed by 60 different world eminences. There, in his speech, Conan Doyle stated: "I consider the production a personal gratification... My only complaint is that you made the poor hero of the anemic printed page a very limp object as compared with the glamour of your own personality which you infuse into his stage presentment." Former President Calvin Coolidge commented that the production was a "public service". And Booth Tarkington told him, "I would rather see you play Sherlock Holmes than be a child again on Christmas morning." On the same occasion, the critics concurred, praising the performance sentimentally. The definitive farewell appearance took place on March 19, 1932, in Wilmington, Delaware.

His last appearance on stage was in Austin Strong’s Three Wise Fools in 1936, co-starring with Charles Coburn, James Kirkwood, Brandon Tynan, Isabell Irving, and Mary Rogers, daughter of comedian Will Rogers.

Gillette died on April 29, 1937, in Hartford, due to a pulmonary hemorrhage. He was buried in the Hooker family cemetery, at Farmington, Hartford County, Connecticut, next to his wife.

Bibliography

In his life, Gillette wrote 13 original plays, 7 adaptations and some collaborations, encompassing farce, melodrama and novel adapting. Two pieces about the Civil War highlights: Held by the Enemy (1886) and Secret Service (1896). Particularly, Secret Service was successful with both the public and the praising critics. He reaped 3 million dollars in gaining, great deal of it by copyright.

  • 1881, The Professor. Original. Gillette's first play. About an appealing professor coveted by the girls, while grappling with the rude boys.
  • 1881, Esmeralda. Adaptation (original by Frances Hodgson Burnett). Light comedy. Starred by Annie Russell. Later by Viola Allen. (Film: 1915)
  • 1884, The Private Secretary. Adapted from the German Der Bibliothekar (by Gustav Von Moser). Well Known. Many changes over the original: Rev. Mr. Spaulding became a medium. Also, it had several modifications throughout five years of presentations.
  • 1886, Held by the Enemy. Original. Successful. First Gillette's drama in years of the American Civil War. (Film: 1920)
  • 1887, She (Fire Goddess). Adaptation (Rider Haggard).
  • 1888, A Legal Wreck. original.
  • 1890, All the Comforts of Home. Adaptation {Carl Laufs}.
  • 1992, Ninety Days. Original.
  • 1894, Too Much Johnson. Adaptation. {Maurice Ordonneau}. Successful. (Films: 1919, 1938)
  • 1896, Secret Service. Original. Gillette's greatest masterpiece. Foremost production until Sherlock Holmes. On Civil-War 's Captain Thorne, Union-spy infiltrated as press correspondent (Lewis Dumont). Performed by Maurice Barrymore (Philadelphia) and William Gillette (Broadway). It lasted a year on stage. (Films: 1919, 1931, 1977 TV)
  • 1899, Because She Loved him So. Original.
  • 1899, Sherlock Holmes. (Films: 1916, 1922 UK, 1932, 1939 UK, 1981 TV, 1982 TV)
  • 1905, Clarice. Original. Sentimental comedy.
  • 1910, Electricity. Original.
  • 1921, The Dream Maker. original.
  • 1923, Winnie and the Wolves. Adaptation {Bertram Atkey}.

In-life editions of Sherlock Holmes

  • 1922. First publication by Samuel French. It was based in 1923's reposition.
  • 1935. Published by Doubleday, Doran & Co.. It was a pricey edition, containing Gillette's foreword, multi-paged feature on trivial data and illustrations by Frederic Dorr Steele.

Filmography

  • In 1916, Gillette starred the first cinema-adaptation of his Sherlock Holmes, albeit it was not the first film about Holmes. It was a seven-reel silent film by Essanay Film Manufacturing Co. directed by Arthur Berthelet. Marjorie Kay played Alice Faulkner and Ernest Manpani was Moriarty. One acid critic noted that Gillette was "about to lose his physical strength to perform the character" since then, insisting that he would not be able to repeat it over the 60 years old. No copy of the film has survived.
  • In 1922, Goldwyn Pictures filmed another version of Gillette's play. It was directed by Albert Parker and John Barrymore played Holmes. This has recently been restored by the George Eastman House.
  • Secret Service was filmed in 1919 by Paramount Pictures, directed by Hugh Ford with Robert Warwick in Gillette's role and Shirley Mason as the female lead.
  • Secret Service was filmed again in 1931 by Radio Pictures. It was directed by J. Walter Ruben and Richard Dix was the Union's spy.
  • In 1977, as part of the Broadway Theatre Archive, a production of Secret Service was filmed starring a pair of young unknowns – John Lithgow as Captain Thorne and, as Edith Varney in her very first appearance on film, Meryl Streep. This is the only play by Gillette still available on commercial VHS or DVD.
  • In 1981, Gillette’s play Sherlock Holmes was produced by Home Box Office, in only its second theater production, in collaboration with the Williamstown Theater Festival and artistic director Nikos Psacharopoulos, and was broadcast on November 19, 1981, with repeats on November 23, 27, 29, and December 1 and 5. This production starred Frank Langella as Holmes, Stephen Collins as Larrabee, Susan Clark as Madge Larrabee, Richard Woods as Dr. Watson, and 12-year-old Christian Slater as Billy the Pageboy. This production is not available on commercial VHS or DVD. 5

Radio

  • On October 20, 1930, Gillette performed the first serial radio-version of Sherlock Holmes in history: The Adventure of the Speckled Band. It was based on the original theater version by Conan Doyle, re-adapted by Edith Meiser, and was the first time Sherlock Holmes was portrayed on radio. It was transmitted by WEAF-NBC (New York) and sponsored by G. Washington Coffee Co.. This show became the pilot of a series, and after Gillette, Richard Gordon took over the part for the remaining 34 programs in the series.
  • On November 18, 1935, Gillette, now 82 years old, performed his own Sherlock Holmes on WABC radio of New York. His play was again re-adapted by Edith Meiser. Reginald Mason played Dr John H. Watson and Charles Bryant played Professor Moriarty. Its duration was 50 minutes. This play too was the pilot for a new Holmes series by Lux Radio Theater. The New York Times said that Gillette was "still the best, with all his shades and improvisation."

As novelist

  • 1927, The Astounding Crime on Torrington Road. Only mystery novel.

Legacy

Tryon, North Carolina

In 1891, after his first visiting of Tryon, North Carolina, Gillette began building his bungalow, which he later enlarged into a house. He named it Thousand Pines and it is privately owned today. In November, the town of Tryon celebrates the William Gillette Festival, honoring Gillette.

New York City

On December 7, 1934, Gillette attended the first dinner meeting of the Baker Street Irregulars in New York. To this day, the BSI honors him with the William Gillette Memorial Luncheon on the Friday afternoon of their annual January meeting in New York City.

The Illusion of the First Time

As a theorist, Gillette is remembered for The Illusion of the First Time in Acting, a paper containing nothing new but all that was important to performance on the stage, collected for the first time into one expression. While all of it is common knowledge today, it was revolutionary when he wrote it, and it was a major departure from theatrical tradition and practice. Booth, Macready, Kean, Forrest, and Boucicault would have rejected it outright. Naturalness and realism, while expected today, and the norm, were not within the old school’s grasp.

Yet, up into the twenty-first century, there is hardly a concept referred to more often than the Illusion of the First Time. It is referred to over and over again in one school or another, in one writeup or another; and, in the year 2001, specific references, by his name, to his description of it were applied to two of the finest actors of the new generation.

D. K. Holm wrote of Johnny Depp in the Portland Mercury, “American playwright/actor William Gillette called good acting ‘the illusion of the first time.’ This is Depp's strong suit.” 3

And, Steve Vineberg wrote of Robert Downey, Jr., at that time appearing in the hit Fox television sitcom, Ally McBeal, that “there's a mysterious beauty to Mr. Downey's reading of (his lines), not only in his application of what William Gillette called ‘the illusion of the first time’ – the actor's trick of making the lines sound as if they were newly minted – but more movingly in Larry's struggle to admit to feelings that he tends to submerge because they call up so much loss.” 4

Quotations

  • "I want to make money on Holmes quick, so as to be through with it!"
  • "Oh, this is elementary, my dear fellow."
  • "There isn’t any reason in the world why we can’t do as well in this farewell business as any other country on the face of the globe. We have the farewellers and the people to say farewell to. If I can only keep it up I will be even with my competitors by the Spring of 1922, and by the Winter of 1937 I will be well in the lead."
  • "It just seems, somehow, that every five years finds me back again, so you can expect me back at it again once more in 1941. Probably in 1976, when they are celebrating the two-hundredth anniversary of the beginning of the Declaration of Independence, or what ever it is, 40 years from now, I'll still be farewelling. I should apologize for being here, but I am a man among Yankees, and they take promises with a grain of salt – in fact they usually take them home and pickle them in brine, so they probably knew I'd be back. Besides I have several good excuses – but they really don't count. And besides – and you men who follow horse racing will know what I mean – I'm not running against anyone, they're merely letting me trot around the track."
  • "Farewell, Good Luck, and Merry Christmas."

References

  1. ^ a b William Gillette at Holmes on Screen. Accessed 6 May 2007.
  2. ^ Riley, Dick; Pam McAllister (2005). The Bedside Companion to Sherlock Holmes. Barnes & Noble Books. pp. 59–60. ISBN 978-0-7607-7156-3. 
  • "Sherlock Holmes: The Published Apocrypha", compiled by Jack Tracy.
  • "The Final Adventures of Sherlock Holmes", compiled by Peter Haining.

3. Holm, D.K., “A Nose for Movies – Johnny Depp is Really the Best Actor in Hollywood,” The Portland Mercury, Vol. 1, No. 44, April 5 - Apr 11 2001, <http://www.portlandmercury.com/portland/Content?oid=24307&category=22133>

4. Vineberg, Steve, “Delivering Something Real To 'Ally McBeal',” New York Times, Sunday TELEVISION/RADIO, March 18, 2001 <http://query.nytimes.com/gst/fullpage.html?res=9B05E6D6113AF93BA25750C0A9679C8B63>

5. O’Connor, John J., “TV: H.B.O. Offers ‘Sherlock Holmes,’” New York Times, November 19, 1981.

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