| Stealing Beauty | |
|---|---|
Film poster for Stealing Beauty |
|
| Directed by | Bernardo Bertolucci |
| Produced by | Jeremy Thomas |
| Written by | Susan Minot Story: Bernardo Bertolucci |
| Starring | Liv Tyler Joseph Fiennes Jeremy Irons Sinéad Cusack Rachel Weisz |
| Music by | Richard Hartley |
| Cinematography | Darius Khondji |
| Editing by | Pietro Scalia |
| Distributed by | 20th Century Fox |
| Release date(s) | March 29, 1996 May 16, 1996 June 14, 1996 |
| Running time | 113 minutes (theatrical) 119 minutes (DVD release) |
| Country | Italy France United Kingdom |
| Language | English French Italian Spanish German |
| Gross revenue | $4,722,310[1] |
Stealing Beauty (French: Beauté volée; Italian: Io ballo da sola) is a 1996 drama film directed by Academy Award-winning Italian filmmaker Bernardo Bertolucci and written by Bertolucci and Susan Minot. It stars Liv Tyler, Joseph Fiennes, Jeremy Irons, and Rachel Weisz. The film focuses on an American teenage girl who travels to a lush Italian villa to stay with family friends of her poet mother who recently committed suicide. The film was actress Liv Tyler's first lead role, which garnered her critical attention, and because of this, is often seen as a starting point for her film career.
While the film takes place in Italy, the primary language spoken by the characters is English - however, Italian, French, Spanish, and German are also spoken by several of the characters through the course of the film.
Stealing Beauty premiered in Italy in March 1996, and was officially selected for the 1996 Cannes Film Festival in France in May.[2] It was released in the United States on June 14, 1996.
Contents |
Lucy Harmon, an American teenager is arriving in the lush Tuscan countryside to be sculpted by a family friend who lives in a beautiful villa there. Lucy visited there four years earlier and exchanged a kiss with an Italian boy with whom she hopes to become reacquainted. Lucy's mother has committed suicide since then, and she also hopes to discover the identity of her father, whom her mother hinted was a resident of the villa. Once she arrives, Lucy meets and befriends a variety of eccentric locals who were companions of her mother, and begins to form relationships and connections with each of them. Lucy has decided to lose her virginity and becomes an object of intense interest to the men of the household, but the suitor she finally selects is not the initial object of her affection.
Hole's song "Olympia" (AKA 'Rockstar') was also used in the film. Tyler was shown dancing and singing wildly along to the track, listening with her headphones and walkman.
| The examples and perspective in this section deal primarily with the United States and do not represent a worldwide view of the subject. Please improve this article and discuss the issue on the talk page. |
The critical reception for the film was mildly negative, with some critics praising the Italian setting and the slow pace, while others criticised it for its apparent self-indulgence, and lack of character development and drama.
According to Roger Ebert of the Chicago Sun-Times, who gave it 2/4 stars, "The movie plays like the kind of line a rich older guy would lay on a teenage model, suppressing his own intelligence and irony in order to spread out before her the wonderful world he would like to give her as a gift....The problem here is that many 19-year-old women, especially the beautiful international model types, would rather stick cocaine up their noses and go to discos with thugs on motorcycles than have all Tuscany as their sandbox."[3]
Critics such as Desson Thomson of the Washington Post,[4] Mick LaSalle of the San Francisco Chronicle,[5] and James Berardinelli of ReelViews[6] gave negative reviews, with Berardinelli in particular, calling the movie 'an atmosphere study, lacking characters',[6] and Thompson calling it 'inscrutable'.[4]
Others, such as Jonathan Rosenbaum of Chicago Reader,[7] Peter Travers of Rolling Stone,[8] Janet Maslin of The New York Times,[9] and Jack Mathews of the Los Angeles Times[10] were more positive, with Rosenbaum in particular praising the movie's 'mellowness' and 'charm'.
The film currently holds a 51% or 'Rotten' rating at Rotten Tomatoes.[11]
|
|||||||||||||||||
stock | retire | vm
Why are we here?
All text is available under the terms of the GNU Free Documentation License
This page is cache of Wikipedia. History