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Karl Otfried Müller (August 28, 1797–August 1, 1840), was a German scholar and Philodorian, or admirer of ancient Sparta, who introduced the modern study of Greek mythology but whose life was cut tragically short.
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His brothers were Julius Müller (1801-1878) and Eduard Müller (1818-1895).
He was born at Brieg in Silesia, raised in the atmosphere of Protestant Pietism and educated partly in Breslau and partly in Berlin. There his enthusiasm for the study of Greek literature, art and history was fostered by the influence of Philipp August Böckh. In 1817, after the publication of his first work, Aegineticorum liber, on the Aeginetans, he received an appointment at the Magdaleneum in Breslau, and in 1819 he was made adjunct professor of ancient literature at the University of Göttingen, his subject being the archaeology and history of ancient art. He deepened his understanding of Greek art by travelling in the summer of 1822 to the Netherlands, England and France.
His aim was to form a vivid conception of Greek life as a whole; and his books and lectures were a turning point in the development of Hellenic studies. Turning away from the Enlightenment conception of Greek myth as a reflection of a universal religion in its infancy, Müller placed the study squarely as the outcome of an encounter between the particular character of a people and a specific historical setting,[1] where, in the broadest sense it has remained, though his convictions that the core of each culture is uniquely its own led him to deny the influence of Egyptian art on Greek art,[2] already being recognised at the time.
Müller's position at Göttingen was made difficult by the political troubles which followed the accession of Ernest Augustus I of Hanover in 1837, he applied for permission to travel; and in 1839 he left Germany. In April of the following year he reached Greece, having spent the winter in Italy. He investigated the remains of ancient Athens, visited many places of interest in Peloponnesus, and finally went to Delphi, where he began excavations. He was attacked by intermittent fever, of which he died at Athens.
The most important of his historical works was his Geschichten hellenischen Stämme und Städte: Orchomenos und die Minyer (1820), and Die Dorier (1824), including the essay Über die Makedonier, on the settlements, origin and early history of the Macedonians. He introduced a new standard of accuracy in the cartography of ancient Greece. In 1828 he published Die Etrusker, a treatise on Etruscan antiquities.
His Prolegomena zu einer wissenschaftlichen Mythologie (1825),[3] in which he avoided the extreme views of G. F. Creuzer and C. A. Lobeck, prepared the way for the scientific investigation of myths. Working without the benefit of modern understanding of psychology, he offered steps towards the "internal idea" of myth and presented techniques for determining the age of a mythus from the mentions of it in literary sources and a notable chapter on how to separate the mythus from the modifications of poets and prose writers, and examined the relations that Homer and Hesiod bore to their traditions, all of this before the supportive contributions of modern archaeology, philological analysis, or the understanding of oral transmission of myth, a remarkable achievement.
The study of ancient art was promoted by his Handbuch der Archäologie der Kunst (1830)[4], and Denkmäler der alten Kunst (1832), which he wrote in association with Carl Oesterley.
In 1841 appeared his posthumous Geschichte der griechischen Literatür,[5] which remained one of the best books on the subject for many years. Müller also published an admirable translation of the Eumenides of Aeschylus with introductory essays (1833), and new editions of Varro (1833) and Festus (1839).
This article incorporates text from the Encyclopædia Britannica, Eleventh Edition, a publication now in the public domain.
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