| Ikiru | |
Original Japanese poster |
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| Directed by | Akira Kurosawa |
|---|---|
| Produced by | Sojiro Motoki |
| Written by | Shinobu Hashimoto Akira Kurosawa Hideo Oguni |
| Starring | Takashi Shimura |
| Distributed by | Toho |
| Release date(s) | October 9, 1952 |
| Running time | 143 min. |
| Country | Japan |
| Language | Japanese |
Ikiru (生きる, "To Live"?) is a 1952 Japanese film co-written and directed by Akira Kurosawa. The film examines the struggles of a Tokyo bureaucrat and his final quest for meaning. The film stars Takashi Shimura as Kanji Watanabe.
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Kanji Watanabe (Takashi Shimura) is a middle-aged man who has worked in the same monotonous bureaucratic position for thirty years. Furthermore, his relationship with his son has become strained, as his son and daughter-in-law seem to care mainly about his pension and their future inheritance.
After learning he has stomach cancer and has less than a year to live, Watanabe attempts to come to terms with his impending death. He plans to tell his son about the cancer, but decides against it when his son does not pay attention to him. He then tries to find escape in the pleasures of Tokyo's nightlife, but after one night, he realizes this is not the solution. In the night club scene is when Watanabe requests a song from the piano player, he sings this song, Gondola no Uta, with great sadness. His singing greatly affects those watching him. The song is a ballad encouraging young women to find love while they are still young and beautiful, for life is short.
The following day, a chance encounter with one of his former subordinates leads him to pursue a different solution. Watanabe is attracted to her joyous love of life and enthusiasm. He opens up to her by saying he just wants to live one day in such a carefree, youthful way like she does. She reveals that her happiness comes from her new job, making toys, which makes her feel like she is friends with all the children of Japan.
Inspired by her example, Watanabe dedicates his remaining time to accomplishing one worthwhile achievement before his life ends; through his persistent will, he is able to overcome the inertia of bureaucracy and turn a mosquito-infested cesspool into a children's playground.
The last third of the film takes place during Watanabe's wake, as his former co-workers try to figure out what caused such a dramatic change in his behavior. His transformation from listless bureaucrat to passionate advocate puzzled them. As the co-workers drink, they slowly realize that Watanabe must have known he was dying. They drunkenly vow to live their lives with the same dedication and passion as he did. They soon find themselves back at work, however, buried under the same meaningless busy-work they had vowed to fight.
An iconic scene from the film is from the last few moments in Watanabe's life, as he sits on the swing at the park he built. As the snow falls, we see Watanabe gazing lovingly over the playground, at peace with himself and the world. He again starts singing Gondola no Uta.
The film has an 100% positive rating based on 24 reviews from critics at the review aggregator website Rotten Tomatoes.[1]
Ikiru ranks 459th on Empire magazine's 2008 list of the 500 greatest movies of all time.[2]
Winner of the Golden Wolf at the 1953 Bucharest Film Festival
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