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The Ear ᛠ rune of the Anglo-Saxon futhorc is a late addition to the alphabet. It is, however, still attested from epigraphical evidence, notably the Thames scramasax, and its introduction thus cannot postdate the 9th century. It is transliterated as ea, and the Anglo-Saxon rune poem glosses it as
suggesting a meaning of "grave". The name ear may originally just echo ior, the name of the rune just preceding it, itself derived from ger "year, harvest".
However, Jacob Grimm in his 1835 Teutonic Mythology attached a deeper significance to the name. He notes that the ear rune is simply a Tyr rune with two barbs attached to it and suggests that Tir and Ear, Old High German Zio and Eor, were two names of the same god. He finds the name in the toponym of Eresburg (*Eresberc) in Westphalia, in Latin Mons martis. Grimm thus suggests that the Germans had adopted the name of Greek Ares as an epithet of their god of war, and Eresberc was literally an Areopagus.[1]
| Runes | See also: Rune poems · Runestones · Runology · Runic divination | v • d • e | |||||||||||||||||||||||||||||
| Elder Fuþark: | ᚠ | ᚢ | ᚦ | ᚨ | ᚱ | ᚲ | ᚷ | ᚹ | ᚺ | ᚾ | ᛁ | ᛃ | ᛇ | ᛈ | ᛉ | ᛊ | ᛏ | ᛒ | ᛖ | ᛗ | ᛚ | ᛜ | ᛞ | ᛟ | |||||||
| Anglo-Saxon Fuþorc: | ᚠ | ᚢ | ᚦ | ᚩ o | ᚱ | ᚳ c | ᚷ ȝ | ᚹ | ᚻ | ᚾ | ᛁ | ᛄ | ᛇ eo | ᛈ | ᛉ x | ᛋ | ᛏ | ᛒ | ᛖ | ᛗ | ᛚ | ᛝ | ᛞ | ᛟ œ | ᚪ a | ᚫ æ | ᚣ y | ᛠ ea | |||
| Younger Fuþark: | ᚠ | ᚢ | ᚦ | ᚬ ą | ᚱ | ᚴ | ᚼ | ᚾ | ᛁ | ᛅ a | ᛋ | ᛏ | ᛒ | ᛘ | ᛚ | ᛦ ʀ | |||||||||||||||
| Transliteration: | f | u | þ | a | r | k | g | w · | h | n | i | j | ï | p | z | s · | t | b | e | m | l | ŋ | d | o | |||||||
stock | retire | vm
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