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| Cell | |
First edition cover |
|
| Author | Stephen King |
|---|---|
| Cover artist | Mark Stutzman |
| Country | United States |
| Language | English |
| Genre(s) | Horror novel |
| Publisher | Scribner |
| Publication date | January 24, 2006 |
| Media type | print (hardcover) |
| Pages | 449 |
| ISBN | 0743292332 |
| Preceded by | The Colorado Kid |
| Followed by | Lisey's Story |
Cell is an apocalyptic horror novel published by American author Stephen King in January 2006. The plot concerns a New England artist struggling to reunite with his young son after a mysterious signal broadcast over the global cell-phone network turns the majority of his fellow humans into mindless vicious animals.
Contents |
Clayton Riddell, a struggling artist from Maine who is estranged from his wife, Sharon, and his young son, Johnny, has landed a lucrative graphic novel deal in Boston. As he prepares to celebrate, somebody, somewhere, triggers "The Pulse," a signal sent out over the global cell phone network which instantly strips any cell phone user of their sanity, locking them into blood-thirsty, homicidal creatures. Civilization crumbles as the masses of Pulse's victims -- dubbed "phone crazies" or simply "phoners" -- attack each other or any unaltered people in view. Amidst the chaos, Clay is thrown together with Tom McCourt, a good-natured homosexual man about Clay's age, and fifteen-year-old Alice Maxwell, who is initially distraught over attacking her affected mother after nearly being killed by her. While Boston burns behind them, they walk to Tom's house in the Boston suburb of Malden. At nightfall, the victims of the Pulse all mysteriously disappear.
The next morning the phoners -- while still engaging in spasms of violence -- reappear and begin "flocking", migrating in lockstep outside Tom's home, only to disappear once again at dusk. They also begin to regain a semblance of intelligence, and forage for not only food, but radios and CD players. Despite these new developments, Clay is unalterably determined to return to Maine to rescue Johnny. Having no better alternatives, Tom and Alice come with him. They trek north by night across a devastated New England, having fleeting encounters with other "normie" survivors and catching disturbing hints about the activities of the phone crazies, who still attack non-phoners on sight.
Crossing into New Hampshire, they arrive at the Gaiten Academy, a prep school with one remaining teacher, Charles Ardai, and one surviving pupil, Jordan. The two of them show the newcomers where the local phoner flock goes at night: packing its components into the Academy's soccer field like sardines, "switched off" until morning. They also notice that there are many radios and speakers throughout the field, playing random songs each time. Ardai demonstrates that the phoners have become a hive mind, and are developing psychic and telekinetic abilities. The five of them decide that they must destroy the flock before its powers grow even stronger. They do this by parking two propane tankers on the soccer field, waiting for the flock to settle in for the night. They then blow up the vehicles with a shot from a revolver, killing the flock.
Clay tries to get everyone to flee the resulting scene of carnage, but Ardai is too elderly to travel, and the others refuse to leave him, especially Jordan. The sleep that follows is filled with a horrific dream, in which everyone sees themselves in a stadium, surrounded by hundreds of phoners who broadcast a grim telepathic threat in Latin. A disheveled African-American man wearing a Harvard University hooded sweatshirt approaches, bringing their death. Waking, the heroes compare notes and dub him "The Raggedy Man". A new flock then surrounds their residence, and the trapped normies face the flock's metaphorical spokesman: the man wearing the Harvard hoodie. The flock commits bloody reprisal on all other normals in the area, and orders the protagonists to head north to a spot in Maine called "Kashwak", where there is no cell phone reception. To pre-empt one objection, the flock psychically compels Ardai to commit suicide after writing the word "insane" in multiple languages. Clay and the others bury him and travel north, mostly because Clay is still determined to go home.
En route, they learn that as "flock-killers" they have been psychically marked as untouchables, to be shunned by other normies. They also learn the phoners have now recruited normals to guard them while they "sleep". Finally, following a petty squabble on the road, Alice is tragically killed by a loutish pair of normals. After burying her, the group arrives in Clay's hometown of Kent Pond, they discover notes from Johnny which tell them that Sharon turned into a phoner, but that her son survived for several days, before he and the other local normies were prompted by the phoners to head to Kashwak. Clay has another nightmare which reveals that once there, they were all exposed to the Pulse by the phoners. He is still intent on finding his son, but after meeting another group of flock-killers, Tom and Jordan plan to head west to avoid the ceremonial executions the phoners clearly have planned for them. Before leaving, the group discovers that Alice's murderers were compelled into suicide as punishment for touching Alice, an untouchable.
Clay sets off alone, but the others soon reappear driving a small school bus; the phoners have used their ever-increasing powers to force them to rejoin him. One of the other flock-killers, a construction worker named Ray, secretly gives Clay a cell phone and a phone number, telling him to use them when the time is right. Ray then commits suicide. The group arrives at Kashwak, the site of a half-assembled county fair. They travelers notice that the phoners are beginning to behave erratically and are breaking out of the flock. Jordan theorizes that a computer program was the source of the Pulse, and while it is still broadcasting its signal into the battery-powered cell phone network, it has become corrupted with a computer worm that has infected the newer phoners with a mutated version of the original Pulse. Nevertheless, an entire army of phoners is waiting for the flock-killers; among them is Sharon, whom Clay pushes aside. As night falls, the phoners lock the group in the fair's exhibition hall.
As a sleepless Clay waits for his execution the next morning, he realizes what Ray planned with the cell phone: he covertly filled the rear of the bus with explosives, wired a phone-triggered detonator to them, and then killed himself to prevent the phoners from telepathically discovering his plan. After Clay informs the group of the plan, they break a small window for Jordan to squeeze through so he can drive the bus. He drives the vehicle into the midst of the inert phoners. Thanks to a jerry-rigged cellphone patch set up by the fair workers pre-Pulse, the explosion works exactly as hoped, and another scene of mass carnage rains down. The Raggedy Man and his flock have been destroyed.
The majority of the group heads north into Canada, to get out of cellphone coverage and let the approaching winter wipe out the region's unprotected phoners. Clay still seeks his son; after making arrangements with the others for a later rendezvous, he heads south. He searches a town called Gurleyville where surviving phoners wander around, now without a flock mind, utterly disoriented. Some have begun to regain speech and somehwat normal actions but are still obviously insane. Against all odds, he finds Johnny, who received a "corrupted" dose of the Pulse; not only did he successfully wander away from Kashwak, he seems to almost recognize his father. However, Johnny is an erratic shadow of his former self, and so, following a theory of Jordan's, Clay gives Johnny another blast from the Pulse, hoping that the increasingly corrupted iterations of the Pulse will destroy each other and reset his son's brain to normal. The book ends with Clay putting a cell-phone to his son's ear, repeating what he would say to Johnny in pre-Pulse days when there was a phonecall; "Fo-fo-you-you."
A role in the story was offered to the winner of a charity auction sponsored by eBay:
"One (and only one) character name in a novel called CELL, which is now in work and which will appear in either 2006 or 2007. Buyer should be aware that CELL is a violent piece of work, which comes complete with zombies set in motion by bad cell phone signals that destroy the brain. Like cheap whiskey, it's very nasty and extremely satisfying. Character can be male or female, but a buyer who wants to die must in this case be female. In any case, I'll require physical description of auction winner, including any nickname (can be made up, I don't give a rip)."
Other authors like Peter Straub also participated in the online auction, selling roles in their upcoming books. The King auction ran between September 8 and 18, 2005 and the winner, a Ft. Lauderdale woman named Pam Alexander, paid over $20,000. Ms. Alexander gave the honor as a gift to her brother Ray Huizenga; his name was given to one of the zombie-slaughtering "flock killers" in the story, a construction worker who specializes in explosives, but then later commits suicide in the aid of the "flock killers" escape.
The book generally received good reviews from critics. Publishers Weekly described it as "a glib, technophobic but compelling look at the end of civilization" and full of "jaunty and witty" sociological observations [1]. Stephen King scholar Bev Vincent said "It's a dark, gritty, pessimistic novel in many ways and stands in stark contrast to the fundamental optimism of The Stand". [2]
On March 8, 2006, Ain't It Cool News announced that Dimension Films have bought the film rights to the book and will produce a film directed by Eli Roth (Hostel, Cabin Fever) for a 2009 release.
Says Roth about his approach to the film:
I... love that book. Such a smart take on the zombie movie. I am so psyched to do it. I think you can really do almost a cross between the Dawn of the Dead remake with a 'Roland Emmerich' approach (for lack of a better reference) where you show it happening all over the world. When the pulse hits, I wanna see it hit EVERYWHERE. In restaurants, in movie theaters, at sports events, all the places that people drive you crazy when they're talking on their cell phones. I see total armageddon. People going crazy killing each other - everyone at once - all over the world. Cars smashing into each other, people getting stabbed, throats getting ripped out. The one thing I always wanted to see in zombie movies is the actual moment the plague hits, and not just in one spot, but everywhere. You usually get flashes of it happening around the world on news broadcasts, but you never actually get to experience it happening everywhere. Then as the phone crazies start to change and mutate, the story gets pared down to a story about human survival in the post-apocalyptic world ruled by phone crazies. I'm so excited, I wish the script was ready right now so I could start production. But it'll get written (or at least a draft will) while I'm doing Hostel 2, and then I can go right into it. It should feel like an ultra-violent event movie.[4]
On June 15, 2007, Eli Roth posted in his MySpace blog that he will not be directing Cell "anytime soon", as he plans to spend the rest of this year writing other projects; but the movie will soon be done, sometime in 2009. However, at IMDB it is listed for release in 2011.
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