Alexander's Ragtime Band

For the film of this name, see Alexander's Ragtime Band (film).

Cover, 1911 sheet music

Wikisource has full lyrics and sheet music:

Alexander's Ragtime Band

"Alexander's Ragtime Band" is the name of a song by Irving Berlin. It was his first major hit, in 1911. There is some evidence, although inconclusive, that Berlin borrowed the melody from a draft composition submitted by Scott Joplin that had been submitted to a publisher.^[1]

1 Style
2 Lyrics
3 History
4 Notes
5 See also
6 External links

Style

"Alexander's Ragtime Band" is not itself an example of the ragtime musical idiom; apart from some mild syncopation, it has almost none of ragtime's characteristic features. Nonetheless, the lyrics clearly refer to the arrival of African-American musicians on the popular scene with their then-new idea of playing standard songs in a more exciting up-tempo style.

Lyrics

The first lines establish the African-American context:

Oh ma honey . . . ain't you goin' to the leaderman, the ragged meter man

References to "jazzing up" popular music include:

They can play a bugle call like you never heard before

So natural that you want to go to war

That's just the bestest band what am, honey lamb

and:

If you care to hear the Swanee River played in ragtime

The new style included new ways of playing traditional instruments as well:

There's a fiddle with notes that screeches

Like a chicken

And the clarinet is a colored pet

History

Vaudeville singer Emma Carus, famed for her "female baritone", is said to have been largely responsible for successfully introducing the song in Chicago and helping contribute to its immense popularity. It became identified with her, and soon worked its way back to New York where Al Jolson also began to perform it.^[2]

The song has been recorded by many artists, including The Andrews Sisters, Louis Armstrong, Ray Charles, Bing Crosby, Ella Fitzgerald, George Formby, Al Jolson, Liberace, Billy Murray, Liza Minnelli, Bessie Smith and Julie Andrews.

The song had a presence on the charts for five straight decades. According to Newsweek Magazine:

Four different versions of the tune charted at # 1, # 2, # 3 and # 4 in 1911.
Bessie Smith's version made the top 20 in 1927.
Louis Armstrong made the top 20 with it in 1937.
A duet by Bing Crosby and Connee Boswell hit #1 in 1938.
Johnny Mercer charted a swing version in 1945.
Bing Crosby recorded another duet version, and hit the top-20 in 1947 with Al Jolson.
Nellie Lutcher put it on the R&B charts in 1948.
Bob Wills put it on the c&w charts in the same decade.
Ella Fitzgerald scored with it in 1958, and received a Grammy for her Irving Berlin anthology in 1959.
Ray Charles recorded it in 1959 for his album The Genius of Ray Charles.

This song is said^[who?] to have been played on the decks of the Titanic by the ship's band, as the ship sank on April 15, 1912.

A 1938 film of the same name was loosely based on the song.

A version of the song set to a disco beat was recorded by Ethel Merman for her infamous Ethel Merman Disco Album in 1979.

A snippet of the chorus of "Alexander's Ragtime Band" can be heard toward the end of Taco's 1982 cover of "Puttin' on the Ritz", a number 4 hit in the United States.

The song was used in Tennessee politics by Lamar Alexander, a trained pianist, Governor of Tennessee and U.S. Senator, who performed the song for campaign events, including during his 1996 run for the Republican presidential nomination.

Notes

^ Berlin, E. A. King of Ragtime, Oxford University Press, 1994, p. 210.
^ Bergreen, Laurence. As Thousands Cheer: The Life of Irving Berlin (Viking, 1990) p. 67.