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This article may require cleanup to meet Wikipedia's quality standards. Please improve this article if you can. (February 2008) |
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Theatrical movie poster |
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| Directed by | Peter Hyams |
| Produced by | Peter Hyams |
| Written by | Peter Hyams, based on the novel by Arthur C. Clarke |
| Starring | Roy Scheider John Lithgow Helen Mirren Bob Balaban Keir Dullea Douglas Rain |
| Music by | David Shire |
| Cinematography | Peter Hyams |
| Editing by | Mia Goldman James Mitchell |
| Distributed by | Metro-Goldwyn-Mayer |
| Release date(s) | December 7, 1984 |
| Running time | 116 minutes |
| Country | United States |
| Language | English |
| Preceded by | 2001: A Space Odyssey |
2010 is a 1984 science fiction film released by Metro-Goldwyn-Mayer and directed by Peter Hyams. Its full title is given on posters and DVD releases as 2010: The Year We Make Contact, although the subtitle does not appear in the film itself. 2010 is a sequel to the 1968 film 2001: A Space Odyssey, and is based on Arthur C. Clarke's novel 2010: Odyssey Two, a literary sequel to the film.
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The film is set nine years after the mysterious failure of the 800 foot exploration spacecraft USSC Discovery One's mission to Jupiter (depicted in 2001: A Space Odyssey) in which four astronauts died and another disappeared mysteriously into a large, alien Monolith orbiting Jupiter. Dr. Heywood Floyd - who had been the Director of the "National Council on Astronautics" (NCA) during the Discovery mission - has been made the scapegoat, and has since left the NCA to become a university chancellor.
Friction is growing between the United States and the Soviet Union, and both nations are preparing missions to determine what happened to Discovery One. But although the Soviet Alexei Leonov will be ready before the new American spaceship, the Soviets need Americans astronauts to help investigate the problems with the HAL 9000 on-board supercomputer system, and to ease the diplomatic problems associated with boarding an American spacecraft. The US government reluctantly agrees to a joint mission, since Discovery's orbit destines it to crash into the Jovian moon Io within a few years.
Floyd, who feels responsible for the failed mission, volunteers for the mission himself and recruits two experts on Discovery: Dr. Walter Curnow, one of its designers and builders, and Dr. Chandra, who created the HAL 9000 series of artificial intelligence supercomputers.
The aim of the joint mission is threefold: to find the reason for the mission's failure, to investigate the Monolith in orbit around Jupiter, and to explain David Bowman's disappearance. They suspect that much of this information is locked away in the abandoned Discovery One spaceship and her on-board HAL 9000 computer.
Upon the Leonov's arrival in the Jovian system, Dr. Floyd is awakened early from his hibernation by the Soviet crew because they have detected the chemical signatures of life on the moon Europa. An unmanned probe detects something suggestive of life, but is inexplicably destroyed in a burst of electromagnetic radiation before close-up photos can be taken. Dr. Floyd suspects that it is a warning from someone — or something — to keep away from Europa.
The Discovery One is found abandoned but undamaged, orbiting Jupiter close to the moon Io. After space walking over to it, Curnow reactivates its on-board systems, and Chandra restarts the HAL 9000 computer ("HAL"), which had been deactivated before the Monolith had been found. The Monolith is then rediscovered in the Lagrange point between Jupiter and Io. Cosmonaut Max Brailovsky travels to it in an EVA pod, but is killed by a burst of power that emerges from the Monolith and heads into outer space towards the Earth.
A series of scenes follow in which Dave Bowman, who has been transformed into an incorporeal being, travels to the Earth. He appears on his widow's TV screen and says his final goodbyes and visits his terminally-ill and senile mother in a nursing home, combing her hair, much to her delight, as he had done during his boyhood. She is found dead in her bed shortly afterwards.
Chandra discovers the reason for HAL's malfunction: he had become paranoid after his NSC controllers ordered him to conceal from Bowman and Poole the knowledge that the Discovery mission was about the Monolith mystery. This had conflicted with HAL's basic function: the accurate processing and distribution of information without concealment or distortion. Dr. Floyd is disgusted and denies any knowledge of the secret directive.
Meanwhile, the tensions between the United States and Soviet Union have escalated to what is "technically a state of war". The U.S. government orders Floyd, Curnow and Chandra to leave the Russian spacecraft and move into the Discovery One. On board, Dave Bowman appears to Floyd, warning him that they must leave Jupiter within two days because "something wonderful" will happen. The Monolith suddenly disappears, and a growing black spot appears on the Jovian surface. Telescopic observations reveal that the spot is in fact a vast population of Monoliths, increasing in number at an exponential rate, shrinking Jupiter's volume, increasing its density, and modifying the chemical properties of its atmosphere. Since neither ship can reach the Earth with an early departure, the two crews work together to use Discovery as a booster rocket for the Leonov. Tension arises when HAL is not told that the Discovery will be left stranded in space, and probably destroyed; Chandra fears that another deception may cause a repeat of HAL's malfunctions. During the countdown Dr. Chandra tells HAL the whole truth, and much to everyone's collective relief, the computer understands that it must sacrifice itself for the human beings on board the Leonov.
The Leonov leaves Jupiter just in time to witness the swarm of Monoliths engulf Jupiter and increase its density to the point that nuclear fusion occurs, transforming Jupiter into a small star. A wave of hot plasma erupts from the forming star, incinerating the Discovery, but failing to destroy the Leonov.
As the Leonov exits its Jovian orbit, HAL is commanded by the mysterious extraterrestrial intelligences to repeatedly broadcast this message toward the Earth:
"ALL THESE WORLDS ARE YOURS EXCEPT EUROPA. ATTEMPT NO LANDING THERE. USE THEM TOGETHER. USE THEM IN PEACE."
Over a montage of images of two Suns in the sky of Earth, Floyd, in voice-over, explains that this miraculous occurrence inspired the American and Soviet leaders to end their stance of war. The film ends with a montage that depicts Europa gradually transforming over millennia from an icy wasteland to a humid jungle covered with plant life and with primordial sounds emanating from the trees. In the final shot, the camera pans across the jungle, eventually settling upon a lagoon where a lone Monolith is standing upright, waiting for intelligent life forms to evolve.
Arthur C. Clarke appears as a man on a park bench outside the White House (which is out-of-frame in the pan-and-scan version, but visible in the letter-boxed version). In addition, a Time magazine cover about the American-Soviet tensions is briefly shown, in which the President of the United States is portrayed by Clarke and the Soviet Premier by the 2001 producer, writer, and director, Stanley Kubrick.
When Sir Arthur C. Clarke published his novel 2010: Odyssey Two in 1982, he telephoned Stanley Kubrick, and jokingly said, "Your job is to stop anybody [from] making it [into a movie] so I won't be bothered."[1] Metro-Goldwyn-Mayer (MGM) subsequently worked out a contract to make a film adaptation, but Kubrick had no interest in directing it. However, Peter Hyams was interested and contacted both Clarke and Kubrick for their blessings:
"I had a long conversation with Stanley and told him what was going on. If it met with his approval, I would do the film; and if it didn't, I wouldn't. I certainly would not have thought of doing the film if I had not gotten the blessing of Kubrick. He's one of my idols; simply one of the greatest talents that's ever walked the Earth. He more or less said, 'Sure. Go do it. I don't care.' And another time he said, 'Don't be afraid. Just go do your own movie.'"[1]
Clarke's e-mail correspondence with Peter Hyams, the director of 2010, was published in 1984.[2][3] Titled The Odyssey File: The Making of 2010, this book illustrates Dr. Clarke's fascination with the then-pioneering medium of e-mail and his use of it to communicate with Hyams on an almost-daily basis during the planning and production of the film. (Clarke was living in Sri Lanka while the production was taking place in California.) This book also includes Clarke's list of the top science fiction films ever made. Unfortunately, in order to give the publishers enough lead-time to have it available for the release of the movie, the book terminates while the movie is still in pre-production. At the point of the last e-mail, Clarke had not yet read the script, and Roy Scheider was the only actor who had been cast.
2010 was the first film production for the "Entertainment Effects Group" under the charge of Edlund, who took over the special-effects house from its founder, Douglas Trumbull, following Trumbull's departure from the Industrial Light and Magic company. Trumbull left that company following his movie Brainstorm in 1983, moving on to found his new company, "Showscan".
Early in the production of this movie, Hyams found out that the original 50-foot model of the "Discovery One" that had been built for 2001 had also been destroyed following the filming, as had all of the model-makers' plans for building it. The model makers at Richard Edlund's EEG had to use frame-by-frame enlargements from a 70 mm copy of the original film to recreate the "Discovery One".
In order to maintain the realism of the lighting in outer space, in which light would usually come from a single light source (in this case, the Sun), Edlund and Hyams decided that blue-screen photography would not be used for shooting the space scenes. Instead, a process known as front-light/back-light filming was used. The models were filmed as they would appear in space, then a white background was placed behind the model. This isolated the model's outlines so that proper traveling mattes could be made. All of this processing doubled the amount of time that it took to film these sequences, due to the first motion-control pass that was needed to generate the matte. This process also eliminated the problem of "blue spill", which is the main disadvantage of blue-screen photography. In this, photographed models would often have blue outlines surrounding them because a crisp matte was not always possible to make.
Blue-screen photography was used in the scene in which Floyd demonstrates his plan to use the two spaceships to achieve the change in momentum needed to leave Jovian orbit before the opening of the launch window. In this scene, Floyd uses two pens to demonstrate his plans. Roy Scheider performed this scene without the pens actually being present, and the pens were filmed separately against a blue screen - using an "Oxberry" animation stand that was programmed to match Scheider's movements. (The initial sequence of Floyd's making the pens float was carried out by simply attaching them to a polished piece of oscillating glass that was placed between him and the camera.)
Several elements have become anachronistic in the years following the film's release, the most obvious being the end of the Cold War and the fact that the Soviet Union ceased to exist in 1991. Pan American World Airways went out of business in 1991. The Astrodome is mentioned in passing as if active; however, the Astrodome closed in 2004. The closing sequence of the film briefly depicts the Lincoln Memorial in Washington, D.C., as seen from a small installation of fountains that was subsequently replaced by the National World War II Memorial.
Top 10 Tips For 2010 (The Year, Not The Film) According To 2010 (The Film, Not The Year)
Though it did not win, 2010 was nominated for five Academy Awards:[4]
2010 won the Hugo Award for Best Dramatic Presentation in 1985.
At one time, Tony Banks, keyboardist for the band Genesis, was commissioned to do the soundtrack for 2010.[5] However, David Shire was eventually selected to compose the soundtrack, which he co-produced along with Craig Huxley. Besides being used for the film, the soundtrack music was also published by the A&M Records company in the United States.
Unlike many film soundtracks of the first half of the 1980s and before, the soundtrack for 2010 was composed for and played mainly using digital synthesizers. These included the Synclavier by the New England Digital company and a Yamaha DX1. Andy Summers, guitarist for the band The Police, performed in the soundtrack composition "2010". Only two compositions on the soundtrack album feature a symphony orchestra. Mr. Shire and Mr. Huxley were so impressed by the realistic sound of the Synclavier that they placed a disclaimer in the album's liner notes: "No re-synthesis or sampling was employed on the Synclavier."
2010 was first released on DVD (R1) in 1998 by MGM. It was re-issued (with different artwork) in September 2000 by Warner Bros. Both releases are presented with the soundtrack remastered in Dolby 5.1 surround sound and in the original 2.35:1 aspect ratio, though a packaging error appears on the 2000 Warner release, claiming that the film is presented in anamorphic widescreen when, in reality, it is simply letterboxed and not anamorphic (the MGM version of the DVD makes no such claim). The R1 releases also include the film trailer and a 10 minute behind-the-scenes featurette "2010: The Odyssey Continues" (made at the time of the film's production), though this is not available in other regions.
The film was released on Blu-ray Disc on April 7, 2009. It features a BD-25 single-layer presentation with 1080p/VC-1 video and English Dolby TrueHD 5.1 Surround audio. The disc also includes the film's original "making of" promotional featurette (as above) and theatrical trailer as extras.
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